In a sweltering motel room in the Mojave Desert, May and Eddie lick their wounds and get ready for another relentless round. This brawl is eternal and infernal. And the Old Man is always watching.
Perhaps the sexiest, most haunting play of the 20th century, Fool for Love is a twisted and tequila-soaked love letter from one of the greatest American playwrights, indulging the need to get inside someone just to tear them apart.
Science and religion go head-to-head in this iconic courtroom showdown. A small-town educator’s trial for teaching the theory of evolution becomes a battle royal of wits, wisdom and will for two of the country’s most powerful lawyers. In a bold retelling for today, Goodman Resident Artistic Associate Henry Godinez directs an all-new production of one of the greatest dramas of the 20th century, based on the real-life Scopes “Monkey” Trial of 1925—an “explosive episode in American culture” (New York Times).
Science and religion go head-to-head in this iconic courtroom showdown. A small-town educator’s trial for teaching the theory of evolution becomes a battle royal of wits, wisdom and will for two of the country’s most powerful lawyers. In a bold retelling for today, Goodman Resident Artistic Associate Henry Godinez directs an all-new production of one of the greatest dramas of the 20th century, based on the real-life Scopes “Monkey” Trial of 1925—an “explosive episode in American culture” (New York Times).
Onstage antics collide with offstage foibles in Steppenwolf’s production of Noises Off, the classic comedy that writes an ingenious, slapstick and zany tribute to “theatre-people” everywhere.
Onstage antics collide with offstage foibles in Steppenwolf’s production of Noises Off, the classic comedy that writes an ingenious, slapstick and zany tribute to “theatre-people” everywhere.
Retta and Reggie are enjoying their usual evening on the porch when a longtime neighbor is pulled over by the police just before turning into his driveway. Everything goes as expected—until the unexpected happens. Tensions escalate, and eventually erupt, transporting us to a startling conclusion in Ms. Howard’s powerful new work. Lileana Blain-Cruz, a “master of curating chaos” (The New York Times), directs.
Retta and Reggie are enjoying their usual evening on the porch when a longtime neighbor is pulled over by the police just before turning into his driveway. Everything goes as expected—until the unexpected happens. Tensions escalate, and eventually erupt, transporting us to a startling conclusion in Ms. Howard’s powerful new work. Lileana Blain-Cruz, a “master of curating chaos” (The New York Times), directs.
A wildly imaginative new play that traces the touching, hilarious, heartbreaking saga of one man’s illness and his unlikely caretaker’s pursuit of her dreams.
A wildly imaginative new play that traces the touching, hilarious, heartbreaking saga of one man’s illness and his unlikely caretaker’s pursuit of her dreams.
Grace looks for the good in everything, but a want for goodness cannot unwind the past, as this taut family reunion explodes in all directions.
Grace looks for the good in everything, but a want for goodness cannot unwind the past, as this taut family reunion explodes in all directions.
The “perfect Chicago holiday tradition” (Chicago Parent) that has enchanted generations over four decades. Jessica Thebus returns to direct in this must-see, “moving and meaningful” (Chicago Sun-Times) annual production.
The “perfect Chicago holiday tradition” (Chicago Parent) that has enchanted generations over four decades. Jessica Thebus returns to direct in this must-see, “moving and meaningful” (Chicago Sun-Times) annual production.
Meet Kenneth, a 38-year-old longtime bookstore worker, who is perfectly content with his after-work routine: a mai tai (or two) at the local tiki bar. But when his employer decides to close the store, Kenneth must also turn the page and choose a new direction—including some daring steps into a world he has evaded. BOLD Artistic Producer Malkia Stampley makes her Goodman directing debut with this “tender, delicately detailed portrait” (The New York Times) about new beginnings.
Meet Kenneth, a 38-year-old longtime bookstore worker, who is perfectly content with his after-work routine: a mai tai (or two) at the local tiki bar. But when his employer decides to close the store, Kenneth must also turn the page and choose a new direction—including some daring steps into a world he has evaded. BOLD Artistic Producer Malkia Stampley makes her Goodman directing debut with this “tender, delicately detailed portrait” (The New York Times) about new beginnings.
Emma, Robert and Jerry have history. The “eternal triangle” takes center stage in an inventive retelling by the Nobel Prize-winning playwright. As Emma’s marriage to Robert comes to an end, she reconnects with Jerry, her former lover—and her husband’s best friend. The action unspools backward in time, uncovering hidden truths and revealing how little we know about those we think we know so much about.
Emma, Robert and Jerry have history. The “eternal triangle” takes center stage in an inventive retelling by the Nobel Prize-winning playwright. As Emma’s marriage to Robert comes to an end, she reconnects with Jerry, her former lover—and her husband’s best friend. The action unspools backward in time, uncovering hidden truths and revealing how little we know about those we think we know so much about.
It’s a celebration of life, hope and the healing power of love! The musical stage adaptation of Alice Walker’s Pulitzer Prize- and National Book Award-winning novel is a heart-rending, yet ultimately joyous, story of a young woman’s perilous journey of personal awakening in the American South. Come ready to shout in church, stomp at the juke joint, laugh and cry with unforgettable “come-to-glory gospel hymns, down-and-dirty bump-and-grinds, jazz that stutters, dips and dives, and gorgeous alto arias” (Chicago Sun-Times).
It’s a celebration of life, hope and the healing power of love! The musical stage adaptation of Alice Walker’s Pulitzer Prize- and National Book Award-winning novel is a heart-rending, yet ultimately joyous, story of a young woman’s perilous journey of personal awakening in the American South. Come ready to shout in church, stomp at the juke joint, laugh and cry with unforgettable “come-to-glory gospel hymns, down-and-dirty bump-and-grinds, jazz that stutters, dips and dives, and gorgeous alto arias” (Chicago Sun-Times).
“This is what I was raised in: pig guts and bad choices.” As Juicy grapples with his identity and his family at a backyard barbecue, his father’s ghost shows up asking for revenge—on Juicy’s uncle, who has married his widowed mom—bringing his quest for joy and liberation to a screeching halt. James Ijames has reinvented Shakespeare’s masterpiece, creating what the New York Times hails as “a hilarious yet profound tragedy, smothered in comedy,” where the only death is the patriarchy.
“This is what I was raised in: pig guts and bad choices.” As Juicy grapples with his identity and his family at a backyard barbecue, his father’s ghost shows up asking for revenge—on Juicy’s uncle, who has married his widowed mom—bringing his quest for joy and liberation to a screeching halt. James Ijames has reinvented Shakespeare’s masterpiece, creating what the New York Times hails as “a hilarious yet profound tragedy, smothered in comedy,” where the only death is the patriarchy.
At the Museum of Late Human Antiquities, the curators are fiercely committed to bringing a lost civilization to life again: What were humans really like? What did they wear, what did they eat, how did they die out? By casting us into the far future, Jordan Harrison’s new play gives us an uncanny view of the present moment, as we straddle the analog world that was and the post-human world to come.
At the Museum of Late Human Antiquities, the curators are fiercely committed to bringing a lost civilization to life again: What were humans really like? What did they wear, what did they eat, how did they die out? By casting us into the far future, Jordan Harrison’s new play gives us an uncanny view of the present moment, as we straddle the analog world that was and the post-human world to come.