An entire town is plunged into terror as it frantically hides its grift and incompetence from the prying eyes of an undercover inspector. But the cons are about to get conned: the mysterious stranger accepting every bauble, coin, and advance thrown his way is not who he seems to be. Everyone is on the take–or the make–in this outrageously anarchic comedy of errors. Yura Kordonsky’s adaptation of Gogol’s timeless masterpiece, The Inspector, is both the moving drama of a community desperate for a better life and a farce exposing the absurd lengths to which they go in its pursuit.
Development and production support for The Inspector is provided by Yale’s Binger Center for New Theatre.
Macbeth In Stride examines what it means to be an ambitious Black woman through the lens of one of Shakespeare’s most iconic characters.
Macbeth In Stride examines what it means to be an ambitious Black woman through the lens of one of Shakespeare’s most iconic characters.
1927, San Juan Hill, a six-block stretch of Manhattan where tensions run deep between its populations of Black Americans and Caribbean immigrants. Eustace, recently transplanted from the South, falls in love with the girl next door, Annetta. But her ironfisted father, Joseph, an ardent Garveyite, has arranged for her to marry another man from the West Indies to protect his bloodline. In Steve Carter’s blistering saga, Eden, clashing ideologies and youthful passions threaten dangerous consequences for two families and their community.
1927, San Juan Hill, a six-block stretch of Manhattan where tensions run deep between its populations of Black Americans and Caribbean immigrants. Eustace, recently transplanted from the South, falls in love with the girl next door, Annetta. But her ironfisted father, Joseph, an ardent Garveyite, has arranged for her to marry another man from the West Indies to protect his bloodline. In Steve Carter’s blistering saga, Eden, clashing ideologies and youthful passions threaten dangerous consequences for two families and their community.
Early one morning, Lolita, a young Boricua trans woman arrives at a suspicious (let’s say evil) Wall Street office with a mission: to take down all seven members of the Puerto Rico Oversight, Management, and Economic Stability Board. Much to her surprise, the receptionist who welcomes her has, more than a story to tell, a show to put on. A revenge saga giving existential drag extravaganza, Mara Vélez Meléndez’s savagely funny play takes aim at the unelected officials who think they know what’s best for the people—and for our own bodies—and the elected ones who appoint them.
Early one morning, Lolita, a young Boricua trans woman arrives at a suspicious (let’s say evil) Wall Street office with a mission: to take down all seven members of the Puerto Rico Oversight, Management, and Economic Stability Board. Much to her surprise, the receptionist who welcomes her has, more than a story to tell, a show to put on. A revenge saga giving existential drag extravaganza, Mara Vélez Meléndez’s savagely funny play takes aim at the unelected officials who think they know what’s best for the people—and for our own bodies—and the elected ones who appoint them.
